Floating Fruit, 2026, oil on canvas, 60 × 72”
Painter Adrianne Rubenstein on humor, Canadian landscapes, and self-discovery. Read More
Editra is also known online as 3ditra on Instagram.
Floating Fruit, 2026, oil on canvas, 60 × 72”
Painter Adrianne Rubenstein on humor, Canadian landscapes, and self-discovery. Read More
James Duffield Harding, Ponte Santa Trinità, Florence, before 1832. Watercolor. The Metropolitan Museum of Art. Public domain.
A guide to Florence through Casa G. Hotel Firenze, local artisans, old institutions, and the city’s quieter forms of belonging. Read More
Paul Signac, La Salute (Venise), 1906. Sold at Koller in Zurich on 26 June 2026 for about $4.4 million.
Koller’s Karl Green discusses how taste, timing, and desire shape the auction world. Read More
Goodbye, Columbus (1969)
A conversation with Jonathan Hertzberg on rescuing overlooked films, physical media, and the second lives of great neglected movies. Read More
Bourdelle's Studio. Musée Bourdelle, Paris Musées. Photos by Pierre Antoine
A conversation with Ophélie Ferlier Bouat on intimacy, monumental sculpture, and the lasting spirit of Bourdelle in Paris. Read More
At the opening of Anthology Film Archives, November 30, 1970. Michael Chikiris, courtesy Anthology Film Archives.
A conversation with Kevin Bone, Architect, and John Mhiripiri, Executive Director, on preservation, popcorn, and the future. Read More
Leather Ballerinas. Pier Gagne
A conversation with fifth-generation Northampton shoemaker Chris Woodford on whole cuts, jazz shoes, and Japanese minimalism. Read More
Mennour Archives at 47 Rue Saint-André-des-Arts
Paris gallery founder Kamel Mennour on artists, archives, and the work of building a contemporary program across generations. Read More
Silver cave, 2023, travertine silver. Edition 1/1. Photo by Nicola Gnesi.
An interview with Massimiliano Pelletti on geology, imperfection, and sculpture as dialogue. Read More
Photo by Christian Colomer. Styled by Anais Codina. Shown at 90º
On turbo-capitalism, decadence, and fashion’s refusal to respond. Read More
Franco Maria Ricci in 1984, at the launch of FMR U.S.A. at the New York Public Library.
A final conversation about art, mortality, geometry, and memory. Read More
Via The Photo Desk
Alexandra Kleeman on on identity, capitalism, ecology, and the future of the novel. Read More