Sontag Was a Bridge Between Old New York and the New
Joel Meyerowitz, New York City, 1969.
Sontag as a bridge between old New York criticism and the theory-driven culture that followed.
Text by 
Bob Loblaw
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Gustav Klimt, The Park, 1910–1911. Oil on canvas. Museum of Modern Art, New York.
Gustav Klimt’s The Park, painted between 1910 and 1911, belongs to the quieter side of his late work: not the gold, bodies, and theatrical eroticism of the portraits, but a... via 
Art History.
Dafoe Returns to the Old Tale for Amateur Spirit
Piero di Cosimo, Perseus Freeing Andromeda, c. 1510–1515. Oil on panel, Uffizi Galleries, Florence. A Renaissance myth staged like popular theater, with monster, crowd, and wonder folded into the kind of pre-modern storytelling Dafoe’s program brings back into view.
Dafoe’s Biennale program looks at theater’s origins.
Text by 
Pina Lomb
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Bourdelle, Without the Museum Machine
Bourdelle's Studio. Musée Bourdelle, Paris Musées. Photos by Pierre Antoine
A conversation with Ophélie Ferlier Bouat on intimacy, monumental sculpture, and the lasting spirit of Bourdelle in Paris.
Text by 
Madina Tulakova
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Classical Art: Raphael Presented In Toto at Met
Raphael: Sublime Poetry. Courtesy of The Met
A preview of the most comprehensive U.S. exhibition ever dedicated to Raphael, open at the Met 29 March to 28 June.
Text by 
Marguerite de Ponty
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Clara MacMeekin
John White
Cecilia Knapp
Simona Alberi
Cici Thompson
Richard Aubern
Tasmin Blake
Dalia Morgan
Rupert Taylor
Editors
Alexandra Kleeman
Melissa Mesku
Chloe Caldwell