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Louise Giovanelli, Arena, 2020
DOWNTOWN—British artist Louise Giovanelli is now showing new work at Grimm 54. The exhibition, Still Moving, goes through June 21, 2025, and features a bunch... Text by Dalia Morgan.
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Image courtesy of Gucci.
MILAN—Italy’s long affection for bamboo can be found everyone, no less in Franco Maria Ricci’s Labirinto della Masone, the sprawling bamboo maze outside Parma, stands... Text by Cici Thompson.
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Photograph by Erich Höhne. Courtesy of Deutsche Fotothek.
Wassily Kandinsky, a painter of color and form, once envisioned a future where dance would shed its ornamental constraints and move toward abstraction. In Concerning... Text by Marguerite de Ponty.
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Franco Maria Ricci in 1984, at the launch of FMR U.S.A. at the New York Public Library.
Caverns were probably the first labyrinthine structures human beings came into contact with, in a distant past. And I, too, rummaged through my own past, finding a version of myself as the guise of a young amateur speleologist, equipped with the right clothes, flashlights, ropes, and climbing-irons. I was a second-year student at the Faculty of Geology and, with some friends, I had founded a so-called Cavern Society. My weekdays moved along on the surface, in the sunlight, while my weekends were usually devoted to the dark bowels of the earth. Text by fmr.
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