DOWNTOWN—British artist Louise Giovanelli is now showing new work at Grimm 54. The exhibition, Still Moving, goes through June 21, 2025, and features a bunch of new paintings that are being shown in a refreshing collaboration with the downtown cinema Metrograph. The project marks the artist’s first New York solo show since 22.
According to a press release, the paintings are in dialogue with a curation of films playing at Metrograph throughout the month. Selections include Gummo, Kids, Ticket of No Return, and Buffalo ‘66. The partnership between gallery and cinema creates a novelistic link between Giovanelli’s works, and their cinematic source material.
Technically precious and visually pungent, Giovanelli’s paintings often feature tight, cropped, glowing images that float, as if detached, from an unknown, larger narrative. In this series, she draws on specific film stills, isolating fragments of faces, gestures, and light. The results...
DOWNTOWN—British artist Louise Giovanelli is now showing new work at Grimm 54. The exhibition, Still Moving, goes through June 21, 2025, and features a bunch of new paintings that are being shown in a refreshing collaboration with the downtown cinema Metrograph. The project marks the artist’s first New York solo show since 22.
According to a press release, the paintings are in dialogue with a curation of films playing at Metrograph throughout the month. Selections include Gummo, Kids, Ticket of No Return, and Buffalo ‘66. The partnership between gallery and cinema creates a novelistic link between Giovanelli’s works, and their cinematic source material.
Technically precious and visually pungent, Giovanelli’s paintings often feature tight, cropped, glowing images that float, as if detached, from an unknown, larger narrative. In this series, she draws on specific film stills, isolating fragments of faces, gestures, and light. The results are straightforward: clippings, punctums, visual grammars.
Revealed in this show are clear leanings towards 90s indie cinema. Bleached brows, metallic eyeshadow, diffuse lighting. The result is tactile and striking, making me want to see these in beautiful homes. (We hope anyone who buys one will send us pictures).
Louise Giovanelli, White Cube
Grimm 54, located on White Street in Tribeca, has become a reliable venue for thoughtful, mid-career presentations like this. The space is well-scaled to suit the Giovanelli’s canvases, allowing each work room to breathe.
Still Moving is on view through June 21. Screenings at Metrograph continue throughout the month.
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