Louise Giovanelli, Arena, 2020
8. JUNE. MMXXV. EDITRA, BOOKSHOP, SHARE, SAVE, RESPOND.
More in Art & Design
Image courtesy of Gucci.
MILAN—Italy’s long affection for bamboo can be found everyone, no less in Franco Maria Ricci’s Labirinto della Masone, the sprawling bamboo maze outside Parma, stands... Text by Cici Thompson.
Read More
Photograph by Erich Höhne. Courtesy of Deutsche Fotothek.
Wassily Kandinsky, a painter of color and form, once envisioned a future where dance would shed its ornamental constraints and move toward abstraction. In Concerning... Text by Marguerite de Ponty.
Read More
Photo by Martina Borsche
BERLIN—I don't really think that fashion is responding to the current state of the world. Text by Kostas Murkudis.
Read More
Franco Maria Ricci in 1984, at the launch of FMR U.S.A. at the New York Public Library.
Caverns were probably the first labyrinthine structures human beings came into contact with, in a distant past. And I, too, rummaged through my own past, finding a version of myself as the guise of a young amateur speleologist, equipped with the right clothes, flashlights, ropes, and climbing-irons. I was a second-year student at the Faculty of Geology and, with some friends, I had founded a so-called Cavern Society. My weekdays moved along on the surface, in the sunlight, while my weekends were usually devoted to the dark bowels of the earth. Text by fmr.
Read More
